May 10, 2023
DARIA MAGAZINE Review of "The Dirty South"
Contemporary Art, Material Culture, and the Sonic Impulse Museum of Contemporary Art Denver - September 16, 2022 Review by Emily Zeek...
May 10, 2023
"SHIFTING TIME, African American Artist 2020-2021"
New Book edited by Berrisford Boothe & Klare Scarborough Shifting Time: African American Artists 2020-2021 explores how contemporary...
May 10, 2023
"The Dirty South Comes to Denver" Hyperallergic Review
Spanning generations and genres from the past 100 years, the MCA Denver’s iteration of the traveling exhibition resonates as its only...
May 10, 2023
Review in Southwest Contemporary
"Artists Turn to Text for Concise Social Messages at the Rubin Center in El Paso" November 23, 2022 - (RE)CONTEXT: Artists Reconstructing...
Apr 24, 2023
Now open "We shed oceans of tears, our waters contain our sorrows"
COLGATE UNIVERSITY - CLIFFORD GALLERY April 5 – May 22, 2023 Throughout his career, Felandus Thames’s work has been imbued with the...
Jan 9, 2023
Harpo Foundation
I am humbled to announce that I've been selected as a 2022 Harpo Foundation Awardee. I would like to take this moment to thank the Harpo...
Oct 8, 2022
New group show at the Kalamazoo Institute of Arts
"Unmasking Masculinity for the 21st" September 24, 2022 - December 29, 2022 Co-curated by Rehema Barber, KIA Chief Curator and Larry...
Mar 19, 2022
Work featured in the NY Post with Dionne Warwick: "How Dionne Warwick’s tweets became high art"
By Raquel Laneri November 12, 2021 Dionne Warwick knows her Twitter account is good. She first went viral last December after she tweeted...
Mar 19, 2022
Artforum Mention: “The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse”
~ Natilee Harren “The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse,” a sprawling survey that features the work...
Mar 19, 2022
Resistance in Black and White
A Spotlight on Beads Creating the “Black Pixel” By CMA Curator Key Jo Lee with Artist Felandus Thames 3/18/2022 Currents &...
